I really don't like Great Expectations. So naturally there are going to be two new adaptations of it next year.

First up we have the BBC's effort which stars Gillian Anderson as Miss Havisham. The trailer is wonderfully atmospheric and contains a haunting version of "Carol of the Bells"...



...but do we need a eighteenth adaptation of this particular novel? Or a nineteenth that will be released in cinemas and have Helena Bonham-Carter as Miss H? I think not (though of course I will see them). There are plenty of other great novels that are out of copyright that have either never been adapted or haven't been done in thirty years, but instead we get the same four over and over again: Pride and Prejudice, Jane Eyre, Wuthering Heights, and Great Expectations.

Much better news is that Peter Capaldi is joining season two of The Hour. That show just got more awesome and will hopefully help sate my longing for Malcolm Tucker and The Thick of It.

I have not updated in ages because I've done so much writing for uni that I got a bit sick of it. But I've been watching a heap of great TV shows lately that I want to talk about even if I don't quite have time to go into detail.

Totally and completely love:

- The Thick of It. Imagine The West Wing except it's only half as long, British, a dark comedy, and monumentally profane. Like, I am not even joking about the language but it's funny because most of the f-bombs are dropped by a mad Scottish version of Rahm Emmanuel and everything is just funnier when said with a Scottish accent. You don't really need to know anything about British politics, but an appreciation for Machiavellian schemes would certainly help.

- Misfits. Everyone describes it as Skins meets Heroes and that certainly works. It's about a group of juvenile delinquents who, while doing community service, are caught in a thunder storm that gives them abilities or powers that are somehow related to their personalities. There's Kelly the punchy chav who can suddenly hear people's thoughts, Alisha the good time girl whose touch sends people into a sexual frenzy, frequently ignored Simon who can become invisible, and disgraced runner Curtis turns back time. Only the obligatory psychotic jackass Nathan appears to be unchanged but we find out eventually and it would spoil the finale to tell you.

The show is intelligent and real and because it's British it's not populated with former models. These kids can act and a couple of the characters are genuinely weird or disturbed.

Quite like:

- Cranford Revisited. Just a two part Christmas special with most of the characters returning plus a few new ones. It started out a little fluffy but then the Gaskell March of Death started up so I wouldn't be surprised if half the town died in the next episode. Still, if you have longed to see Andrew Buchan holding a small infant (and I know I have) then you get your wish.

- Doctor Who. I have such low expectations for RTD penned episodes that I generally like them ok. As usual, a rubbish plot was buoyed up by great performances. Bring on The Moff!

Good but probably won't ever watch again:

- The Thorn Birds. I bought this mini-series for my mum and we watched it all on Boxing Day and as it's 400+ minutes long and I hadn't seen it before, my mind was fried after. I thought it was good despite the fact that I didn't like most of the characters. I had no idea the relationship between Meggie and Ralph was so squicky (for those who haven't seen it, they meet when she's a child and he's in his late 20's and he acts as a father figure to her. So inappropriate!) Despite the fact that it was set in Australia, it was actually filmed in California and featured only one Australian actor so it didn't feel at all Australian to me. There was only one kangaroo! Still, my favourite part of it all is that Rachel Ward and Bryan Brown (that lone Australian actor) met on the set in 1983 and have been married ever since. The chemistry between them does sizzle.


Hope you all had a great Christmas and enjoy the New Year!